Ludwig van Beethoven: Piano Sonatas Nos. 27, 28 & 29 "Hammerklavier"

Sviatoslav Richter

released November 1, 2012

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Music brings together a wide range of sounds, influences, and traditions. Artists develop their own distinctive styles through recordings and performances. Their work connects musical ideas across generations and reaches listeners around the world. Each release explores new themes and builds on the music that came before it. These influences shape the sound and its place in music history.

tracks

Piano Sonata No. 27 in E Minor, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck

Piano Sonata No. 27 in E Minor, Op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen

Piano Sonata No. 28 in A Major, Op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegro ma non troppo

Piano Sonata No. 28 in A Major, Op. 101: II. Lebhaft, marchmäßig. Vivace alla marcia

Piano Sonata No. 28 in A Major, Op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo con affetto - attaca

Piano Sonata No. 28 in A Major, Op. 101: IV. Geschwinde, doch nicht zu sehr und mit Entschlossenheit. Allegro

Piano Sonata No. 29 in B-Flat Major, Op. 106 "Große Sonate für das Hammerklavier": I. Allegro

Piano Sonata No. 29 in B-Flat Major, Op. 106 "Große Sonate für das Hammerklavier": II. Scherzo. Assai vivace

Piano Sonata No. 29 in B-Flat Major, Op. 106 "Große Sonate für das Hammerklavier": III. Adagio sostenuto. Appassionato e con molto sentimento

Piano Sonata No. 29 in B-Flat Major, Op. 106 "Große Sonate für das Hammerklavier": IV. Largo. Allegro risoluto